My next book "cutaneous"has just been completed. It is another black book and joins the small series of black work I have started for the year. Although it is in a very conventional codex form, it also has perforations, windows and flaps that reveal several layers at a time. The book is about skin and the Chinese carbon paper screwed up and straightened, is soft and wrinkled like my skin.
I was researching how to make the Japanese cloth-like paper using momigami and using different papers and glues instead of the konnyaku paste and stubbled on some very interesting surfaces and textures to use in my books.
The results were encouraging and I hope to get back to this artist's proof to make a bigger, better version once I finish my next few explorations into the black.
